So, following the new rule of three there’s another Mumford & Sons in semi 2, it looks like Sweden really doesn’t want to win this year and the theme song is straight out of The Lion King. What else is up?
The countdown clocks are ticking. Over on Eurovision Island there’s no change and bills to pay.
DR Indefra, a radio programme on DR’s highbrow station, took a look at progress at #bogwhallerne with Head of Show Jan Lagermand Lundme. It was snowing, not least through a hole in the roof, there were cranes and a lot of dirt, but still
three months/100/90 89, Jan! days to go.
The reporter had a little #escdk checklist to run through. Back in October they’d only been able to tick off the first two points, but this time all six got a big fat tick, although only on paper and with brackets in some cases, and even that’s generous:
- The venue – they’re not moving. Yet.
- Theme/slogan – #joinus branding etc; somewhat defensively, JLL stated they were still happy with this.
- Lighting and sound equipment etc – on order.
- National song, interval acts – 100%, known to the second. So hold #myeurovisionidea. Dancers hired, graphics sent to the printer.
- Budget – På plads! ie a done deal. Much the same as for Eurovision 2013 in Sweden, DKK 150 million from DR, with income from ticket sales, sponsors, the EBU.
- Host/s – the trekløver, aka a three leafed clover.
Move along here, nothing to see…but what the programme omitted to mention was an article in freesheet MetroXpress, published on Tuesday evening, summarised med det samme by ESC Reporter: Broadcaster threatens to move Eurovision 2014.
Eagerly snapped up by the tabloids (Ekstra Bladet | BT, inc a video with a rather grumpy Exec Producer Pernille T in what we hope is faux fur and not giraffe), leading to a rebuttal from WoCo on DR’s Eurovision site – it’s not DR who need extra money and everything’s hunky dory between the #escdk players. ESC Reporter put the story to bed, but that’s not really the point is it?
Dogged Eurovision bloggers ESCKAZ (Thursday | Friday) and EuroVisionary have covered the increasing costs of converting a dilapidated shed into a modern arena for three nights only in forensic detail. Seems that It’s not just the now famous pillars which are causing a problem – the roof may not be able to hold lighting rigs etc, plus – who knew? – there’s only one road to Eurovision Island and transport plans are still on the drawing board:
They have not been having the right expertise in relation to this creative task and as such have underestimated the project. You can’t base such an arrangement on that it will be good weather or that you can find some volunteers who have a little rowing boat which they can use to sail the guests over. You have to think of a worst case scenario.
That from Leif Skov, former Head of Show, Roskilde Festival, to ESC Reporter. There’ll be a reason why neither DR nor Visit Copenhagen have comment facilities on their Eurovision sites. Regional councillor Mette Abilgaard had to leave a comment on Facebook to make her point, with a handy link to the council minutes.
Now it’s yonks since I sat through the blessed Borgen and atm for me #escdk host Pilou is a chubby ship’s cook w a beard, but never mind the kitsch, Kasper’s spin skills could come in handy. It’s lucky DR landed that one from the stock of 12 Danish actors.
Coming shortly after the latest ticketing crisis (let’s put the green room where we’ve already sold some seats and not tell the ticket retailer so their system crashes) you might get the impression that some people are good at setting fairy tale goals waay down the line but aren’t too bothered about the minor practical details.
We need a Can Denmark host Eurovison story in Eurosong’s Fantasy Eurovision series pdq – after Parken withdrew it’s difficult to see what feasible alternatives there were, although in better news the Copenhagen Arena should by ready for Eurovision 2016. Is it possible this experience might put other countries off the idea of hosting the thing? Glasgow could be up for it – the arena for the 2014 Commonwealth Games is in Finnieston, a gentrified former industrial wasteland.
And despite rebuttals it really does feel like WoCo and DR have fallen out – we’d noticed a certain distancing already, and are starting to really look forward to the uncensored version of DR’s documentary on the long and winding road to Eurovision 2014. Maybe best to show it in January next year, like Sweden did, so we can all bask in the after glow. Because, det skal nok gå.